Thoughts on reaching ‘The End’
This week I’ll be writing what I hope will be the final scene of my latest novel – the first draft typescript is pictured below. With that in mind, I thought it would be the perfect time to reflect upon what reaching ‘The End’ means to me, to share some of my experiences and to
How should fiction respond to current events?
In a way, it’s reassuring to know that, amidst the pandemic-induced tumult that has engulfed the world, The Archers – that famous Radio 4 institution – remains a coronavirus-free zone. Life in the fictional community of Ambridge continues miraculously as it ever has done,
A note on the historical note
Why is there no historical note in The Harrowing? A number of readers have asked me this over the past two-and-a-half years since the novel was first published. It’s a question that, I’ve come to realise, goes to the heart of what I believe historical fiction is all about. In this post I’ll explore my
From novels to short stories
This summer, after writing professionally for eight years, I finally penned my very first short story.
To some readers of this blog this may come as a surprise. Creative writing guides often advise those getting started to begin with short fiction: it is regarded by many as part and parcel of the traditional apprenticeship that
This week I wrote.
That probably seems like a fairly unremarkable thing for a novelist to say. But in fact this was the first time since last summer that I’d produced any substantial creative work at all.
Sure, I’d scribbled down musings from time to time: a phrase; a sentence; sometimes as much as two
Looking backwards, looking forwards
As many of you who follow me on Twitter and Facebook will already know, later this month I’ll be beginning a brand new chapter in my literary career. In just a few weeks I’ll be starting my PhD in Creative Writing at the University of Nottingham, thanks to an AHRC-funded studentship from the
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