Why is there no historical note in The Harrowing? A number of readers have asked me this over the past two-and-a-half years since the novel was first published. It’s a question that, I’ve come to realise, goes to the heart of what I believe historical fiction is all about. In this post I’ll explore my
This summer, after writing professionally for eight years, I finally penned my very first short story.
To some readers of this blog this may come as a surprise. Creative writing guides often advise those getting started to begin with short fiction: it is regarded by many as part and parcel of the traditional apprenticeship that
This week I wrote.
That probably seems like a fairly unremarkable thing for a novelist to say. But in fact this was the first time since last summer that I’d produced any substantial creative work at all.
Sure, I’d scribbled down musings from time to time: a phrase; a sentence; sometimes as much as two
As many of you who follow me on Twitter and Facebook will already know, later this month I’ll be beginning a brand new chapter in my literary career. In just a few weeks I’ll be starting my PhD in Creative Writing at the University of Nottingham, thanks to an AHRC-funded studentship from the
Earlier this year I was invited to do a Q&A with fellow historical novelist and Norman Conquest enthusiast Joanna Courtney over on her website, about the highs and lows of the writer’s life, the significance of 1066 and the appeal of historical fiction.
This week, to coincide with the publication
As well as visiting bookshops and libraries as part of my book tour, occasionally I’m also invited to speak about my work in universities and schools, and it’s been my pleasure in the last few weeks to present talks and chair workshops at both Swansea University and Huddersfield New College.
At Swansea I was invited