After visits to Cambridge, Salisbury and Bath in recent weeks, the Sworn Sword tour stopped off last week in Wantage, Oxfordshire, for the very first Betjeman Festival. I was in conversation with Stephanie Merritt, better known as S.J. Parris, author of the excellent Elizabethan mysteries Heresy and Prophecy, about the attractions and challenges of historical fiction as a genre.

It’s always fascinating to discover the similarities and differences between other historical novelists’ approaches and my own, particularly when it comes to the all-important question of fact versus fiction. How much licence does a writer take when it comes to historical fact? Is it acceptable to alter the course of events in order to make for a better story? Or does the truth always take precedence, and must the fictional narrative be woven around that framework?

It was pointed out that whereas for Sworn Sword I have taken as my protagonist a fictional Norman knight, Stephanie’s novels feature the real-life character Giordano Bruno, a renegade monk and philosopher hailing from sixteenth-century Italy. While on the surface those might seem like two very different approaches to writing novels set in the past, when it comes to deciding how much licence to take with historical events, our views turned out to be very much alike. Whenever the drama of the story comes up against the facts, we both agreed, it is the story that has to win out. But when it comes to the small details that flesh out a setting and contribute to the period atmosphere – the food and drink or the décor of the time, for example – it’s important to get as much right as possible.

Of course the advantage in writing a novel set during the medieval period, at least compared with later centuries, is that the sources are sparser, the gaps in our knowledge wider and the uncertainties more pronounced. For the novelist, then, there are more opportunities to invent where things are not definitively known. Even so, getting the right balance between authenticity and a well-paced narrative is a tricky business. It’s a subject that I’m sure I’ll be returning to on this blog in future, as well as discussing during my upcoming events.

Speaking of which, coming up on Thursday 29 September is the first-ever History in the Court at Goldsboro Books in Cecil Court near Leicester Square in London. I’ll be there signing books and talking to readers about my work, along with as many as fifty other historical novelists including such luminaries of the genre as Bernard Cornwell and C.J. Sansom, both of whom were significant influences on my writing, as well as Ben Kane, Robyn Young, Simon Scarrow and many more besides.

Building on the success of the popular annual Crime in the Court event, it looks set to be a great evening and a unique chance to meet lots of your favourite historical authors in person. The event begins at 5pm and will carry on until 9pm. Tickets are £5 and can be purchased online and from Goldsboro Books directly. More information, including a full list of all the authors attending, can be found on the History in the Court website.

For details of all my upcoming engagements, visit my Events page. I’m adding new signings and talks all the time, especially in the run-up to Christmas. Already I’m starting to fill out my calendar for 2012 too, so keep checking back to find out when I’ll be visiting your area.

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