Currently viewing the tag: "St Andrews"

The 12th-century tower of St Rule (St Regulus), in the grounds of St Andrews Cathedral.

The 12th-century tower of St Rule (St Regulus), in the grounds of St Andrews Cathedral.

Among the many great panel sessions at The Middle Ages in the Modern World at the University of St Andrews was one entitled “Dirt, Dirty Doings and Doing the Dirty”, presented by Susan Aronstein (University of Wyoming), Laurie Finke (Kenyon College), Amy Kaufman (Middle Tennessee State University) and Andrew Elliott (University of Lincoln). The session explored the various ways in which the medieval period has been depicted in recent film and TV dramatisations, focussing in particular on The Pillars of the Earth, and the pseudo-medieval Camelot and Game of Thrones, which, even though they are more fantasy than historical fiction, nevertheless claim to embody something of the spirit of the Middle Ages.

While many of these and other dramatisations dress themselves in the lavish costumes, scene-dressing and CGI that are the hallmarks of the so-called “sexy historical”, the content is often much less glamorous. The main focus of the discussion revolved around the prevalence and degrees of vice, debauchery and violence (including sexual violence) depicted in these programmes, their portrayal of women, and the ways in which they make use of the commonly held belief that the Middle Ages were a period in which life was “nasty, brutish and short”.

Clearly this is a very skewed and limited vision of the period, and yet it seems to be one that the US-based cable networks such as HBO, Showtime and Starz, who commission and in large part fund these series, have hit upon as a means of drawing in viewers. A similar formula can also be found in the treatments afforded to The Tudors and The Borgias. Why is it that this recipe has recently found success, and should we be concerned that the Middle Ages are getting such a bad press?

It should be noted that this new brand of “dirty medievalism” is, by and large, the preserve of the cable channels. Indeed in the UK, the BBC’s dramatic uses of the Middle Ages have tended to be oriented more towards family entertainment, with series such as Merlin and Robin Hood offering a very different depiction of medieval life: one that is gentler and interspersed with humour. Which of the two approaches, if either, presents a better reflection of the medieval reality?

St Andrews Castle (foreground), with West Sands Beach and the North Sea beyond.

St Andrews Castle (foreground), with West Sands Beach and the North Sea beyond.

As a historical novelist, these discussions were of tremendous interest to me, since I often wrestle with similar dilemmas in my writing. Since my Conquest series is narrated by only one character, and a man of the sword at that, inevitably the vision of eleventh-century England that emerges in the books tends to be centred around themes of war, treachery and hardship. Of course the years immediately after 1066 were uncertain times, and undoubtedly bloody. Indeed one of my aims is to show that the struggle for mastery of England did not end with Harold’s death at Hastings, but was long and bitter.

Nevertheless, I’d hope that readers of my novels come away with the sense that kinship, duty and love did matter to medieval people, just as they matter to Tancred and his allies, and that there was honour to be found in their world. While treachery, backstabbing, power games and violence abounded, it seems strange to argue that these facets were peculiar to the Middle Ages, or that they were the main distinguishing features of that period. For that reason, as entertaining as these recent TV dramatisations are, there remains for some a nagging sense that, in limiting their vision, they do the Middle Ages a disservice.

Needless to say it was a fascinating discussion – one of many over the course of the conference. Even now, more than a week after coming back, I’m still working my way through and absorbing the various notes I made. I hope to share some more of my findings from my time in St Andrews in the not too distant future!

If you missed it last week, catch up with Part One of my report from “The Middle Ages in the Modern World”.

St Andrews Cathedral

The ruins of St Andrews cathedral. At 119 metres (391 feet) in length, it’s the largest church ever to have been built in Scotland.

It’s that strange part of the year, the in-between time that exists after the completion of one novel and before the beginning of the next. With the draft manuscript of Knights of the Hawk, the third book in the Conquest Series, now finished and on track for publication this October, I’m starting to look to my next project, using the opportunity to read as widely as I can and absorb ideas from as many sources as possible. The perfect time, then, to attend – as I did last week – a four-day conference on the subject of The Middle Ages in the Modern World, part of the 600th anniversary celebrations of the University of St Andrews.

Being a historical novelist is all about bringing the past to life for a modern audience, so this conference seemed like the ideal chance to meet and share ideas with like-minded people from across the academic community who also happen to have the same love of the Middle Ages. And so I found myself in the company of 175 other delegates from 15 countries – some having travelled from as far afield as Australia, Korea and Canada – discussing how various aspects of the Middle Ages are represented today in literature, music, film, TV, climate change science and almost every other field imaginable.

I was there to deliver a paper entitled Representing the Middle Ages in Fiction, drawing upon my own experiences to discuss ways in which novelists might go about presenting their subjects in a historically responsible way. How rigorous should novelists be in their research? Can and should we hold them up to the same standards as professional historians? Accepting that a certain amount of invention and distortion is unavoidable in writing historical fiction, is there a certain point at which too much becomes unacceptable, and it descends into fantasy? What can historical fiction offer that non-fiction histories alone might ordinarily struggle to do?

The town of St Andrews, as seen from the top of the 12-century St Regulus' Tower, which stands amidst the cathedral ruins.

The town of St Andrews, as seen from the top of the 12-century St Regulus’ Tower, which stands amidst the cathedral ruins.

Lots of ground to cover, and lots of questions to try to answer, then, and all in a 20-minute paper! Needless to say it was a whistlestop tour through the world of the historical novelist. Also on the panel were Virginia Jenner from King’s College London with a paper on the various ways in which Isabel de Clare, the wife of the famous twelfth-century noble William Marshal, has been represented in fiction; and fellow author Christian Livermore from the University of St Andrews discussing the medieval tale of “The Three Living and the Three Dead”, and how she has used it to inform her latest work-in-progress, which updates the legend. As fun as it was to present my own paper, I was just as interested to hear theirs, and find out how other novelists have tackled similar issues in their work.

I also had the good fortune to meet and discuss writing with Felicitas Hoppe, a German novelist and recent winner of the prestigious Georg Büchner Prize – one of the most prestigious German-language literary awards – who gave a plenary lecture about the challenges of adapting medieval romances into fiction. Other brilliant lectures included James Robinson from the National Museum of Scotland speaking about the similarities between the cults of medieval saints and those of modern celebrities; Bruce Holsinger from the University of Virginia talking about how an extract from the Icelandic sagas has found its way into debates about global warming; and Patrick Geary from the Institute of Advanced Study, Princeton, examining how medieval ideas of European ethnicity still have political currency today.

Those were just a few of the highlights from the conference. More on those, and on the rest of my findings from my time in St Andrews, in Part Two of my report, coming soon!